A Christening Party at Chartres, oil on canvas, 1928, 45 x 54 in.
Inspired by Schmitt’s stay in Chartres 1926-27, this painting was first exhibited at the twenty-seventh Carnegie International exhibition, October—December 1928. A reviewer called it a “golden gaiety,” “one of those pictures which make you long to be in the place depicted.”
“The breakdown here in America is not due to a negative evil like sin, but to avoidance alike of all negative and positive things like the virtues and vices in the hope that, by postponing both heaven and hell long enough, a Utopia of science may be discovered. It is thought that if the good can be held off long enough, comfort will triumph.”
—from the essay “Room (with Bath) at the Inn” (October 5, 1941)
Shack where Schmitt stayed on his property in Silvermine before his marriage.
Pastel on paper, 14 x 11 in.
“Critics comfortably off and cosmopolite tell me that it is fatal for me to live alone in the woods and paint, that I must not separate myself from humanity, reality. . . . Humanity? Is there anything more human than ones own children? Reality? Is there anything more real than poverty with a family? (except death, which is also tasted each day)?” (1931)
Noli me tangere (Christ appearing to Mary Magdalene after the Resurrection), 1920, woodblock print, 8¾ x 5 in.
“The only power in the world—the basic creative force—is Charity: the transcendent existence of the Father made immanent and available to man through Christ, in his birth as man, and perpetuated by the Holy Spirit.” (1964)
CSF director Samuel Schmitt will present an Author Talk on his new book Silvermine tonight, April 26, 2017, at 7 pm. Sponsored by the independent bookstore Books on the Common, the event will take place in the Main Program Room at the Ridgefield Public Library, 472 Main Street in Ridgefield, Connecticut.
Through dozens of historic photographs Silvermine tells the story of the bucolic hamlet Carl Schmitt called home for over 70 years. The book recounts how the picturesque valley, once buzzing with sawmills, was transformed into a cultural hub with the coming of the artists, including Carl Schmitt, who formed the Silvermine Guild in 1922. It’s part of the well-known “Images of America” series from Arcadia Publishing. See a preview and order here from Amazon.com. Your purchase benefits the Carl Schmitt Foundation.
For more information and to register for this event, click here.
Resurrection, c. 1940, Campion Hall, Oxford University
This painting is very similar to one of the same name bought by Schmitt’s good friend John Cavanaugh in the 1940s and now owned by the C. Michael Schmitt family. Schmitt’s great-granddaughter Bridget Skidd wrote of her discovery of this painting here.
“The Church keeps alive from day to day the tradition, the myth, which is eternally true. Without the memory of the fall from paradise and the Redemption, no apprehension of the Eternal happiness is possible to man.” (1960)