This painting, a striking example of Carl Schmitt’s early religious work, is being offered for sale by the owner, a private party in Connecticut. If you are interested in acquiring this painting, please contact the Foundation.
This work was exhibited at a one-man show at the Silvermine Tavern and Galleries from December 1930 through mid-January of the following year. The owner of the Gallery, John Kenneth Byard, was a one-time patron of Schmitt’s and early benefactor of the Silvermine Guild of Artists. Schmitt’s agreement with Byard in the 1920s gave Byard the right to acquire all of Schmitt’s work not commissioned by other patrons, and an inventory from 1932 lists this painting in Byard’s possession. The present owner’s grandfather knew Byard (probably as his employer), and most likely acquired the painting directly from him.
This painting is one of many depictions of this scene Schmitt painted between the mid-1920s and early 1930s (some now lost). A number were experimental works, featuring what one critic called “weird pigmentation.” This painting is unique its kaleidoscopic color and dramatic rendering of Christ’s agony in the garden.
Commenting on a similar Gethsemane by Schmitt, the same critic noted that it had “a subtle quality not entirely unlike the mysticism of El Greco. Unlike the various moderns who emulate in their work the tortuous rhythms of the great master, Mr. Schmitt brooks no such conscious imitation. His paintings are original and deeply interesting.”